Pablo Picasso

Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.

Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.

His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.

Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.

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PABLO PICASSO (1881-1973)

Tête de femme au collier

ILIAZD, Ilja Zdanevitch (1894-1975)

Poésie de Mots Inconnus. Poèmes de Akinsenoyin, Albert-Birot, Arp, Artaud, Audiberti, Ball, Beaudouin, Bryen, Derme, Hausmann, Huidobro, Iliazd, Jolas, Khlebnikov, Krutchonykh, Picasso, Poplavsky, Schwitters, Seuphor, Terentiev, Tzara. Paris: Le Degré 41 [Iliazd], [1949].

PICASSO, Pablo (1881-1973) et Max JACOB (1876-1944)

Le Siège de Jérusalem. Grande tentation céleste de Saint Matorel . Paris : Paul Birault pour Henry Kahnweiler, 1914.

[PICASSO, Pablo (1881-1973)], Paul ÉLUARD (1895-1952) et Pablo NERUDA (1904-1973)

Voir. Poèmes, peintures, dessins . Genève-Paris: Trois Collines, 1948.

PICASSO, Pablo (1881-1973) et Prosper MÉRIMÉE (1803-1870)

Carmen. Paris : La Bibliothèque Française, 1949.

PICASSO, Pablo (1881-1973) et Max JACOB (1876-1944)

Chronique des temps héroïques . Paris : Louis Broder, 1956.

PICASSO, Pablo (1881-1973) et Ilia Zdanevitch, dit ILIAZD (1894-1975)

Le Frère mendiant o Libro del Conocimiento. Los viajes en Africa publicados antiguamente por Bergeron Margry y Jimenez de la Espada e ilustrados ahora y compaginados por Pablo Picasso e Iliazd. [Paris :] Latitud Cuarenta y Unos [Le Degré Quarante et Un], 19 mai 1959.

PABLO PICASSO (1881-1973)

Tête de femme

PABLO PICASSO (1881-1973)

La leçon de dessin

PABLO PICASSO (1881-1973)

Tête de femme (Dora Maar)

PABLO PICASSO (1881-1973)

Tête de femme

PABLO PICASSO (1881-1973)

Jarre paysage andalou

PABLO PICASSO (1881-1973)

Deux personnages I

PABLO PICASSO (1881-1973)

Homme couché et femme assise

PABLO PICASSO (1881-1973)

Femme au torse nu

PABLO PICASSO (1881-1973)

Petit soleil (A.R. 546)

PABLO PICASSO (1881-1973)

Visage (A.R. 290)

PABLO PICASSO (1881-1973)

Tête de faune

PABLO PICASSO (1881-1973)

Vase au décor pastel (A.R. 190)

PABLO PICASSO (1881-1973)

Chouette (A.R. 602)

PABLO PICASSO (1881-1973)

Oiseau polychrome (A.R. 33)

PABLO PICASSO (1881-1973)

Service fruits de Provence (A.R. 53, 55, 57, 59, 61, 63, 65, 67, 70, 72, 74, 76)

PABLO PICASSO (1881-1973)

Sujet poisson (A.R. 139)

PABLO PICASSO (1881-1973)

Oiseaux et poissons (A.R. 291)

PABLO PICASSO (1881-1973)

Hibou mat (A.R. 284)

PABLO PICASSO (1881-1973)

Chouette (A.R. 543)

PABLO PICASSO (1881-1973)

Picador (A.R. 289)

PABLO PICASSO (1881-1973)

Plat espagnol au toros (A.R. 403)

PABLO PICASSO (1881-1973)

Taureaux (G.R. 553)

PABLO PICASSO (1881-1973)

Taureau, marli aux feuilles (A.R. 393)

PABLO PICASSO (1881-1973)

Hibou rouge sur fond noir (A.R. 399)

PABLO PICASSO (1881-1973)

Gros oiseau Picasso (A.R. 185)

PABLO PICASSO (1881-1973)

Chouette mate (A.R. 405)

PABLO PICASSO (1881-1973)

Arène (A.R. 406)

PABLO PICASSO (1881-1973)

Visage (A.R. 288)

PABLO PICASSO (1881-1973)

Visage aux yeux rieurs (A.R. 608)

PABLO PICASSO (1881-1973)

Joueurs de diaule

PABLO PICASSO (1881-1973)

Le déjeuner sur l'herbe (A.R. 517)

PABLO PICASSO (1881-1973)

Femme du barbu (A.R. 193)

PABLO PICASSO (1881-1973)

Profil de Jacqueline (A.R. 309)

PABLO PICASSO (1881-1973)

Bouteille gravée (A.R. 248)

PABLO PICASSO (1881-1973)

Chouette visage de femme (A.R. 144)